![]() ![]() Hang on for the power of cinema unleashed and DiCaprio stretching his acting muscles, testing himself, eager for challenge. But it pays off, giving the film a singularly strange and haunting beauty." - Chris Nashawaty, Entertainment Weekly "Inarritu and Lubezki are taking chances with their camera - chances, no doubt, made even more difficult by working with only natural light in frigid conditions. Emmanuel Lubezki's work on last year's Oscar-winning 'Birdman.' Yet in attempting to merge a Western revenge thriller, a meditative epic in the Terrence Malick mold, and a lost-in-the-wilderness production of near-Herzogian insanity, 'The Revenant' increasingly succumbs to the air of grim overdetermination that has marred much of Inarritu's past work: It's an imposing vision, to be sure, but also an inflated and emotionally stunted one, despite an anchoring performance of ferocious 200 percent commitment from Leonardo DiCaprio." - Justin Chang, Variety Inarritu, and he pushes himself, the audience and an aggrieved 19th-century frontiersman well beyond their usual limits in 'The Revenant.' Bleak as hell but considerably more beautiful, this nightmarish plunge into a frigid, forbidding American outback is a movie of pitiless violence, grueling intensity and continually breathtaking imagery, a feat of high-wire filmmaking to surpass even Inarritu and d.p. "Few prestige directors have so fully committed to the notion of cinema as an endurance test as Alejandro G. ![]()
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